This one surprised me but i saw it twice just last week and those weren t the first times either.
Lufs for vinyl master.
This is a loudness standard designed to enable normalization of audio levels.
Most audio metering looks at what s happening right now while while lufs can do that with its short term setting the long term or integrated setting that s most often used looks at a more or less average.
Thanks again and all the best.
For instance the difference between 23 lufs and 18 lufs is 5 lu.
My last master was like this.
Fortunately the very act of transferring a digital master onto a vinyl record can restore some of the dynamics and transients lost during the original mastering for digital process.
Vinyl master guidelines these are the basic rules to follow when mastering for vinyl.
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So i will redo it an master an integrated 14 lufs for youtube i just might get away with 12 lufs.
This is called loudness normalisation and.
An integrated lufs of 9 isn t uncommon for a digital master.
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Lufs loudness units relative to full scale.
Momentary max 7 95 lufs short term max 9 27 lufs integrated 12 09 lufs not really suitable for apple music or spotify and many others i guess.
Loudness units or lu is an additional unit.
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The lufs loudness units relative to full scale meters in levels are extremely accurate at displaying the perceived loudness of audio material.
A little lufs background.
Try not to exceed the maximum recommended playing lengths per side as longer playing times will lead to a dramatic decrease in recording level and dynamics.
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Additionally a new standard for peak measurement was created true peak which factors in potential d a conversion artifacts that don t show up on traditional.
Master to 14 lufs and you ll be fine.
The lufs scale sometimes called lkfs though they re exactly the same thing was introduced primarily to outline broadcast standards to keep the perceived volume of the different shows and adverts the same.
It describes loudness without direct absolute reference and therefore describes loudness level differences.
When possible and if clients want to have a vinyl version of their single or album mastering with more dynamics in mind for vinyl is the right way to go so yes you end up having a more dynamic master for vinyl and a more squashed but hopefully still somewhat dynamic digital master.
This isn t ideal however as it doesn t take advantage of the full dynamic range of a vinyl.
There s a loudness conspiracy.